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good people; Valentino Bellucci
This festival follows a 'idea, a common thread: a series of "portraits" dedicated to "good people". This expression is in agreement with a certain irony, not to deny the "goodness" of the protagonists but rather to highlight the many nuances that can manifest the goodness, beyond the usual cliches. We find solace in one of the greatest philosophers of the last century, Martin Heidegger, who wrote: "I am good. But who can say that? Nobody, least of all the very good. These absurd consequences of the idea of \u200b\u200bgood conscience show one thing: that the conscience calls always a being-guilty. "I never say good for being good at the same time they do show their bad faith, the their narcissism, in the end they can not never tell. The good person is actually the one that best knows how to deal with their bad conscience. In this sense, our protagonists are a non-trivial dimension of being good or feel-good. Their goodness is Heidegger, aware of the paradox: the more you feel good and less than you are. Actually there are always others to tell our goodness, but also in that case there is something too embarrassing. To exit from embarrassment or we choose not to use the incense or the halo of martyrdom ... We prefer the life of these "good people" in the fight and lived to the end in paradox.
Giorgio Bocca Enrico Mattei on
"What was Enrico Mattei? An adventurer? A great patriot? Uno di quegli italiani imprendibili, indefinibili, che sanno entrare in tutte le parti, capaci di grandissimo charme come di grandissimo furore, generosi ma con una memoria di elefante per le offese subite, abili nell'usare il denaro ma quasi senza toccarlo, sopra le parti ma capaci di usarle, cinici ma per un grande disegno”
Gian Maria Volonte; Essere un attore
“Essere un attore è una questione di scelta che si pone innanzitutto a livello esistenziale: o si esprimono le strutture conservatrici della società e ci si accontenta di essere un robot nelle mani del potere, oppure ci si rivolge verso le componenti progressive di questa groped for companies to establish a relationship between revolutionary art and life. "
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Jean Cocteau on Edith Piaf
"Look at this little creature whose hands are those the lizard of the stones. Look at his face of Bonaparte, his blind eyes have regained their sight. How will he get out from his chest minute major complaints of the night? And then he sings, or rather, as the nightingale of April test her love song. Have you heard this work of the nightingale? Need. He hesitates. He clears. He chokes. If e lancia cade. E Improvviso, trova la sua strada. Vocalizza. Sconvolge. "
La Vie En Rose
There was no money or we did not have time, we need some chose.On did not want and then you change your mind. To see life in pink, I do not need much, just that I supposeque Do you come here to me voir.Chanter my song, visit your home, you need something . Circling the mondeou do like the whole world. To see life in pink, I do not need much, just that I supposeque Do you come here to me voir.Un bit less plastic, a little more music, we need a little chose.Un less fanfare, just over guitare.Pour see life in pink, I do not need much, just that I supposeque Do you come here to see me. Rose, I do not need much, just that I need you come here to supposeque voir.Rose me, I did not need much, I just need supposeque you come here to see me.
Tutta La Vita Rosa : Occhi miei che Fanno abbassare i / A ridere che nella sua bocca lose / Ecco il ritratto senza ritocchi / dell'uomo al quale appartengo / Quando mi prende braccia eng / Mi spoke a bassa voce / tutta la vita rosa Vedo / Mi dice word of amore / di tutti i giorni Word, / E sento che qualcosa / E 'come into my heart, / A part of happiness / the cause of which I know / It' s it for me, / I for him in life. / He told me, he swore on his life, / And since when I see him from afar / Then I feel in me, my heart beats. / Nights of endless love / Much happiness that makes its way, / The trouble, you erase the pain, / Happy, happy as hell.
Catherine Spaak (Boulogne-Billancourt , Ile-de-France , April 3 1945) is a singer and a ' actress theatrical and cinematic source Belgian , but his career took place mostly in Italy . He debuted in the film
young French The hole (Le trou) of Jacques Becker and was noticed by Alberto Lattuada who chose to interpret the character of Francesca, a student of good family who gives herself to a mature man in the movie The sweet deception ( 1960) . This cynical and unscrupulous character of girl will stir: the film will have trouble (and unexpected advertising) with the complaint, and Spaak be hired in other film to reinterpret its role. In
60 becomes a sex symbol, and is acting in several films that will make the history of comedy Italian such Overtaking , The craving , L'armata Brancaleone .
the film career while also having that on television, performing as a singer in some varieties of Saturday night some of his songs, like those of my age (cover of the famous Tous les garçons et les filles Françoise Hardy's ) and L 'army of surfers, carved for Remember , enter in the standings.
In 1968 he was the star of musical taken from ' operetta The Merry Widow , aired in 1968 directed by Antonello Falqui . During the working meeting Johnny Dorelli and the love affair between the two leads to a marriage.
After several years of inactivity at the cinema, Spaak returns to the public in the guise of journalist and television host : networks Mediaset inaugurated in 1985 Forum , then passed under the leadership of Rita Dalla Chiesa . Since 1987 passes Raitre with Harem, an all-female talk show that aired for more than ten years, and meanwhile to resume play in some fiction for both TV Italian Francia.Ha published in several books (26 women, from me, A heart was lost, the addition sky).
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The Bike Marco Andrea Marzi the evening of March 19, 2002, a commando the new Red Brigades killed in Valdonica street in the center of Bologna, the labor lawyers Marco Biagi, a consultant to various governments on labor reforms, while returning home on a bike after a day at the University 'in Modena where he taught.
"Mark, why do you go uphill so strong even when not in use? To shorten my agony '
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